LENSES

SUPER 35/35mm

  • ATLAS Orion 2x Anamorphic 32/40/50/65/100mm T2 (PL)
  • Cooke 25-250mm (10:1) Zoom T3.9 {PL/EF} Industry workhorse.
  • Cooke Varotal 20-100mm (5:1) Zoom T3.1 (PL/EF} Vintage, favorite short zoom of Michael Chapman used on CLAN OF THE CAVE BEAR and SHOOT TO KILL, as well as a  must have for zoom shots by Stanley Kubrick/John Alcott.
  • Cooke 18.5-92mm (5:1) Techno Zoom T2.3 (PL/EF)Vintage, only four in existence, another favorite used by Stanly Kubrick (EYES WIDE SHUT.
  • Angenieux 25-250mm (10:1) HP Zoom T3.7 (PL/EF) preferred lens of many European Directors and Cameramen.
  • Angenieux 25-250-mm (10:1) LTWT Zoom T3.9 (PL/EF) Vintage, type used on EASY RIDER, McCABE AND MRS. MILLER and other 70’s blockbusters.
  • Angenieux 20-120mm (6:1) Zoom T2.9 (PL/EF) Vintage, beautifully embellishes portraits, especially on the long end.
  • Veydra 1.2x PL to PL Expander.
  • Jacek 1.4x PL to PL Expander
  • Microforce Zoom Controls.
  • ARRI LFD Lightweight Follow Focus.
  • Arri Studio Follow Focus.
  • Otto Nemenz Hand Held Follow Focus. (Top mount, with bracket).
  • Zeiss Super “B” Speed Prime Set T1.4 18/25/35/50/85mm (PL/EF). Vintage, type used on FULL METAL JACKET, TAXI DRIVER, RAGING BULL).
  • Zeiss MKII Super Speed Prime Set T1.3 18/25/35/50/85mm (PL). Industry Standard since inception.
  • Zeiss Standard Speed Prime Set T2.1 16/24/32/50/85mm (PL). Another Industry Standard since inception.
  • Schneider Arri Cine-Xenon Set 18/25/28/50/75mm T2.0 (PL/EF). Vintage, Stanley Kubrick Collection.
  • Macro-Kilar 40mm T2.8 (PL/EF). Vintage.
  • Macro-Kilar 90mm T2.8 PACK lens (PL/EF). Vintage, Stanley Kubrick Collection, nicknamed “pack’” since it allowed close focus on a cigarette pack.
  • 100mm Cooke Deep Focus T2.0 (PL/EF). Vintage, type used by Kubrick on BARRY LYNDON.
  • 85mm Anamorphic (PL Mount w/ST-PL/EF adapter). Often used in music videos for widescreen effect.
  • Arri B-Mount X2 Extender.
  • Arri STD-MNT X2 Extender.
  • PL-Mount X2 Extender.
  • 9.8mm Kinoptic T2.2 (PL/EF). Vintage, type used on CLOCKWORK ORANGE.
  • 9.8mm Century T2.2 (PL). Same as above re-housed by Century Precision Optics.
  • 14.5mm Angenieux Retro-Focus T2.0 (PL/EF). Vintage, Stanley Kubrick Collection, type used on THE SHINING.
  • 18.5mm Angenieux Retro-Focus T1.8 (PL/EF). Vintage, another Stanley Kubrick favorite.
  • Tamaha 14mm Prime T2.8 (PL).
  • 14mm Canon Prime T1.4 (FD). Vintage, used on Dean Koontz’s WATCHERS, John Frankenheimer’s DEAD BANG)
  • Canon 24mm Prime T1.4 (FD). Vintage.
  • Canon FD Prime Set 17/20/24/28mm (FD). Vintage, used on John Frankenheimer’s, DEAD BANG, John Badham’s, STAKEOUT.
  • 20mm Zeiss Prime T2.0 (PL).
  • 28mm Zeiss Prime T2.0 (PL). Only lens type used on Gus Van Sant’s LAST DAYS, about the life of Kurt Cobain.
  • 40mm Zeiss Prime T2.0 (PL).
  • 50mm Zeiss Planar T2.0 (PL/EF). Vintage.
  • 50mm Cooke Kinetal Taylor Hobson T2.0 (PL/EF). Vintage.
  • 85mm Zeiss Planar T2.0 (PL/EF). Vintage.
  • 135mm Zeiss Prime T2.1 (PL).
  • 150mm Kilfitt Tele-Kilar T3.5 (PL/EF). Vintage.
  • 180mm Zeiss Prime T3.0 (PL).
  • 200mm Nikon Telephoto T2.0 (PL/EF Mount w/X2 and X1.4 Extenders).
  • 230mm Century Tele-Athenar T2.8 (PL/EF). Vintage, type used on ENDLESS SUMMER.
  • 300mm Kilfitt TeleKilar T5.6 (PL/EF). Vintage.
  • 300mm Zoomar T4.0 (PL/EF). Vintage.
  • 300mm Century T4.5 (PL/EF). Vintage.
  • 300mm Canon Telephoto T2.8 (PL/EF w/X2 and X1.4 Extenders).
  • 385mm Century Tele-Athenar Telephoto T4.5 (PL/EF). Vintage, type used on  Bruce Brown’s ENDLESS SUMMER and ON ANY SUNDAY).
  • 400mm Canon Telephoto T2.8 (PL/EF Mount w/X2 and X1.4 Extenders).
  • 500mm Mirror Lens (PL Mount w/ST-PL/EF adapter). Vintage, Warren Miller favorite for his Legendary Ski Films.
  • 500mm Pentax T3.5 (PL/EF) Vintage.
  • 500mm Century Tele-Athenar  T5.6 (PL/EF) Vintage, type used on ENDLESS SUMMER and ON ANY SUNDAY.
  • 800mm Canon Telephoto T5.6 w/X2 and X1.4 Extenders (PL/EF).
  • EF Adapter for above Canon/Nikon Telephoto Lens.
  • Aspheron Converter Kit, turns 18mm into a 14mm (PL). Used on Mark Rydell’s INTERSECTION, when used with 9.8mm it makes a perfect door peephole POV.
  • Century Wide Low Angle Prism.
  • Century Periscope Lens (PL).
  • Spinning Rain Deflector, fits 15mm rods, 12v.
  • Mesmerizer Distortion Adapter.
  • Canon 24-70mm Zoom T2.8 (EF).
  • Canon 24-105mm Zoom T4.0 (EF).
  • Canon 70-200mm Zoom T2.8 (EF).
  • 4/3″ Speed Adapters (EF).
  • 8mm (MFT Mount) Fish-eye.
  • 14mm Pancake Lens (MFT Mount).

SUPER 16mm/16mm

  • 3.5mm Century T1.8.
  • 5.7mm Century T1.8.
  • 5.9mm Angenieux T2.0.
  • 8mm Zeiss T.2.0.
  • 9mm Optex T1.4.
  • 9mm Cooke Taylor Hobson T2.0. Vintage.
  • 10mm Schneider Krauznach T1.8. Vintage,
  • 16mm Schneider Krauznach T2.0. Vintage.
  • 17.5mm Cooke Taylor Hobson T2.0 (PL/EF) Vintage.
  • 25mm Cooke Taylor Hobson T2.0 (PL/EF) Vintage.
  • 9.5/12/16/25mm Zeiss T1.3 Set (B-Mount/PL/EF).
  • 9-50mm Zoom Cooke T2.3 (B-Mount/PL/EF).
  • 9.5-57mm Zoom Angenieux T2.2 (PL/EF).
  • 16-44mm Zoom Angenieux T1.4 (PL/EF) Vintage.
  • 12-120mm Zoom Angenieux T2.2 (PL/EF) Industry Standard for years.
  • 12-240mm Zoom Angenieux T3.5 (PL/EF). Warren Miller’s choice for Back Country Ski work.
  • 11-110mm Zoom Zeiss T2.0 (PL/EF).
  • 10–100mm Zoom Zeiss T2.0 (PL/EF).
  • 10-100mm Zoom Zeiss T3.0 (PL/EF) Vintage.
  • 15-150mm Zoom Angenieux T2.0 (PL/EF) Vintage.
  • 15-150mm Zoom Canon T2.8 (C-Mount). Vintage.
  • 17-85mm Zoom Berthoit T2.8 (C-Mount). Vintage.
  • AGE Directors Viewfinder.
  • Techno PL Director’s Viewfinder w/interchangeable ground glass.
  • Denecke Smart Slate.

MATTE BOXES

  • Series 9 Clip-on matte box (metal).
  • 3×3 Arri Clip-on Matte box.
  • 4×4 Arri Clip-on Matte Box.
  • 4×5.6 PPI Clip-on Matte Box.
  • 4×4 Arri Studio Matte Box.
  • 4×5.6 Arri Studio Matte Box.
  • 5.6×5.6 Arri Studio Matte Box w/Superwing.
  • 6.6×6.6 Arri Studio Matte Box w/Superwing. 

FILTERS (all sizes)

  • ND .3/.6/.9/1.2
  • Clear
  • Polarizer
  • ND Grads Hard and Soft, Vertical and Horizontal.
  • Sunset Gradient.
  • Color Gradient.
  • 85/85N3/85N6/85N9.
  • 81EF Warming.
  • Diopters: Series 9/4.5″/138mm.
  • Split Diopters 138mm.
  • Harrison Matched Coral Set (4×5.6 rented as set only) Cinematographer, Dick Pope’s favorite.
  • White Pro-Mist.
  • Black Pro-Mist.
  • Mitchell Diffusion.
  • Low Contrast.
  • Ultra-Contrast
  • Enhancer.
  • Soft-FX.
  • Fog and Double Fog.
  • Soft-Contrast.
  • Super Frosts Original Vintage.
  • Screw-On Filters for DSLR lenses (All Sizes and Adapters).