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LENSES
SUPER 35/35mm
- ATLAS Orion 2x Anamorphic 32/40/50/65/100mm T2 (PL)
- Cooke 25-250mm (10:1) Zoom T3.9 {PL/EF} Industry workhorse.
- Cooke Varotal 20-100mm (5:1) Zoom T3.1 (PL/EF} Vintage, favorite short zoom of Michael Chapman used on CLAN OF THE CAVE BEAR and SHOOT TO KILL, as well as a must have for zoom shots by Stanley Kubrick/John Alcott.
- Cooke 18.5-92mm (5:1) Techno Zoom T2.3 (PL/EF)Vintage, only four in existence, another favorite used by Stanly Kubrick (EYES WIDE SHUT.
- Angenieux 25-250mm (10:1) HP Zoom T3.7 (PL/EF) preferred lens of many European Directors and Cameramen.
- Angenieux 25-250-mm (10:1) LTWT Zoom T3.9 (PL/EF) Vintage, type used on EASY RIDER, McCABE AND MRS. MILLER and other 70’s blockbusters.
- Angenieux 20-120mm (6:1) Zoom T2.9 (PL/EF) Vintage, beautifully embellishes portraits, especially on the long end.
- Veydra 1.2x PL to PL Expander.
- Jacek 1.4x PL to PL Expander
- Microforce Zoom Controls.
- ARRI LFD Lightweight Follow Focus.
- Arri Studio Follow Focus.
- Otto Nemenz Hand Held Follow Focus. (Top mount, with bracket).
- Zeiss Super “B” Speed Prime Set T1.4 18/25/35/50/85mm (PL/EF). Vintage, type used on FULL METAL JACKET, TAXI DRIVER, RAGING BULL).
- Zeiss MKII Super Speed Prime Set T1.3 18/25/35/50/85mm (PL). Industry Standard since inception.
- Zeiss Standard Speed Prime Set T2.1 16/24/32/50/85mm (PL). Another Industry Standard since inception.
- Schneider Arri Cine-Xenon Set 18/25/28/50/75mm T2.0 (PL/EF). Vintage, Stanley Kubrick Collection.
- Macro-Kilar 40mm T2.8 (PL/EF). Vintage.
- Macro-Kilar 90mm T2.8 PACK lens (PL/EF). Vintage, Stanley Kubrick Collection, nicknamed “pack’” since it allowed close focus on a cigarette pack.
- 100mm Cooke Deep Focus T2.0 (PL/EF). Vintage, type used by Kubrick on BARRY LYNDON.
- 85mm Anamorphic (PL Mount w/ST-PL/EF adapter). Often used in music videos for widescreen effect.
- Arri B-Mount X2 Extender.
- Arri STD-MNT X2 Extender.
- PL-Mount X2 Extender.
- 9.8mm Kinoptic T2.2 (PL/EF). Vintage, type used on CLOCKWORK ORANGE.
- 9.8mm Century T2.2 (PL). Same as above re-housed by Century Precision Optics.
- 14.5mm Angenieux Retro-Focus T2.0 (PL/EF). Vintage, Stanley Kubrick Collection, type used on THE SHINING.
- 18.5mm Angenieux Retro-Focus T1.8 (PL/EF). Vintage, another Stanley Kubrick favorite.
- Tamaha 14mm Prime T2.8 (PL).
- 14mm Canon Prime T1.4 (FD). Vintage, used on Dean Koontz’s WATCHERS, John Frankenheimer’s DEAD BANG)
- Canon 24mm Prime T1.4 (FD). Vintage.
- Canon FD Prime Set 17/20/24/28mm (FD). Vintage, used on John Frankenheimer’s, DEAD BANG, John Badham’s, STAKEOUT.
- 20mm Zeiss Prime T2.0 (PL).
- 28mm Zeiss Prime T2.0 (PL). Only lens type used on Gus Van Sant’s LAST DAYS, about the life of Kurt Cobain.
- 40mm Zeiss Prime T2.0 (PL).
- 50mm Zeiss Planar T2.0 (PL/EF). Vintage.
- 50mm Cooke Kinetal Taylor Hobson T2.0 (PL/EF). Vintage.
- 85mm Zeiss Planar T2.0 (PL/EF). Vintage.
- 135mm Zeiss Prime T2.1 (PL).
- 150mm Kilfitt Tele-Kilar T3.5 (PL/EF). Vintage.
- 180mm Zeiss Prime T3.0 (PL).
- 200mm Nikon Telephoto T2.0 (PL/EF Mount w/X2 and X1.4 Extenders).
- 230mm Century Tele-Athenar T2.8 (PL/EF). Vintage, type used on ENDLESS SUMMER.
- 300mm Kilfitt TeleKilar T5.6 (PL/EF). Vintage.
- 300mm Zoomar T4.0 (PL/EF). Vintage.
- 300mm Century T4.5 (PL/EF). Vintage.
- 300mm Canon Telephoto T2.8 (PL/EF w/X2 and X1.4 Extenders).
- 385mm Century Tele-Athenar Telephoto T4.5 (PL/EF). Vintage, type used on Bruce Brown’s ENDLESS SUMMER and ON ANY SUNDAY).
- 400mm Canon Telephoto T2.8 (PL/EF Mount w/X2 and X1.4 Extenders).
- 500mm Mirror Lens (PL Mount w/ST-PL/EF adapter). Vintage, Warren Miller favorite for his Legendary Ski Films.
- 500mm Pentax T3.5 (PL/EF) Vintage.
- 500mm Century Tele-Athenar T5.6 (PL/EF) Vintage, type used on ENDLESS SUMMER and ON ANY SUNDAY.
- 800mm Canon Telephoto T5.6 w/X2 and X1.4 Extenders (PL/EF).
- EF Adapter for above Canon/Nikon Telephoto Lens.
- Aspheron Converter Kit, turns 18mm into a 14mm (PL). Used on Mark Rydell’s INTERSECTION, when used with 9.8mm it makes a perfect door peephole POV.
- Century Wide Low Angle Prism.
- Century Periscope Lens (PL).
- Spinning Rain Deflector, fits 15mm rods, 12v.
- Mesmerizer Distortion Adapter.
- Canon 24-70mm Zoom T2.8 (EF).
- Canon 24-105mm Zoom T4.0 (EF).
- Canon 70-200mm Zoom T2.8 (EF).
- 4/3″ Speed Adapters (EF).
- 8mm (MFT Mount) Fish-eye.
- 14mm Pancake Lens (MFT Mount).
SUPER 16mm/16mm
- 3.5mm Century T1.8.
- 5.7mm Century T1.8.
- 5.9mm Angenieux T2.0.
- 8mm Zeiss T.2.0.
- 9mm Optex T1.4.
- 9mm Cooke Taylor Hobson T2.0. Vintage.
- 10mm Schneider Krauznach T1.8. Vintage,
- 16mm Schneider Krauznach T2.0. Vintage.
- 17.5mm Cooke Taylor Hobson T2.0 (PL/EF) Vintage.
- 25mm Cooke Taylor Hobson T2.0 (PL/EF) Vintage.
- 9.5/12/16/25mm Zeiss T1.3 Set (B-Mount/PL/EF).
- 9-50mm Zoom Cooke T2.3 (B-Mount/PL/EF).
- 9.5-57mm Zoom Angenieux T2.2 (PL/EF).
- 16-44mm Zoom Angenieux T1.4 (PL/EF) Vintage.
- 12-120mm Zoom Angenieux T2.2 (PL/EF) Industry Standard for years.
- 12-240mm Zoom Angenieux T3.5 (PL/EF). Warren Miller’s choice for Back Country Ski work.
- 11-110mm Zoom Zeiss T2.0 (PL/EF).
- 10–100mm Zoom Zeiss T2.0 (PL/EF).
- 10-100mm Zoom Zeiss T3.0 (PL/EF) Vintage.
- 15-150mm Zoom Angenieux T2.0 (PL/EF) Vintage.
- 15-150mm Zoom Canon T2.8 (C-Mount). Vintage.
- 17-85mm Zoom Berthoit T2.8 (C-Mount). Vintage.
- AGE Directors Viewfinder.
- Techno PL Director’s Viewfinder w/interchangeable ground glass.
- Denecke Smart Slate.
MATTE BOXES
- Series 9 Clip-on matte box (metal).
- 3×3 Arri Clip-on Matte box.
- 4×4 Arri Clip-on Matte Box.
- 4×5.6 PPI Clip-on Matte Box.
- 4×4 Arri Studio Matte Box.
- 4×5.6 Arri Studio Matte Box.
- 5.6×5.6 Arri Studio Matte Box w/Superwing.
- 6.6×6.6 Arri Studio Matte Box w/Superwing.
FILTERS (all sizes)
- ND .3/.6/.9/1.2
- Clear
- Polarizer
- ND Grads Hard and Soft, Vertical and Horizontal.
- Sunset Gradient.
- Color Gradient.
- 85/85N3/85N6/85N9.
- 81EF Warming.
- Diopters: Series 9/4.5″/138mm.
- Split Diopters 138mm.
- Harrison Matched Coral Set (4×5.6 rented as set only) Cinematographer, Dick Pope’s favorite.
- White Pro-Mist.
- Black Pro-Mist.
- Mitchell Diffusion.
- Low Contrast.
- Ultra-Contrast
- Enhancer.
- Soft-FX.
- Fog and Double Fog.
- Soft-Contrast.
- Super Frosts Original Vintage.
- Screw-On Filters for DSLR lenses (All Sizes and Adapters).